ANTHOLOGY submissions below. BUT first: GUIDELINES. THEN: Submissions.
For those of you who are new to the grind, don’t skim past this. Take your medicine.
If you are an experienced submitter of written work, our sincerest apologies. This passage may sound pedantic, though you might still find something useful.
The following are general guidelines for when you are submitting a piece of work to any publisher, let alone Exploitation Media. We here at EM may not reject your piece for breaking one or even three of these general rules. We are an indie publishing house looking for hidden gold. However, many literary agents, lit mags, and traditionally published anthologies will drop your submission like the forbidden unclean for murdering even a single one of these sacred cows. They often have thousands of submissions to read and need a rubric to make that task feasible. Publishers have their reasons for enforcing strict standards, and it communicates to them that you are ready to play ball when you demonstrate your ability to follow them.
Here are the basics:
Shunn Format. Unless otherwise stated by the publisher, all submissions to publications should generally adhere to the Shunn Format. Learn this format and generally work with it when drafting for submission. Again, unless otherwise specified, this is the format most editors and agents want to see. Go to this link. Learn it.
Some bullet points:
12 pt Font, Times New Roman, double spaced
1 inch margins
No tabs to start paragraphs. Instead use the paragraph settings to set the first line indent to 0.5”
Name and contact info on the top left of the first page, word count on the top right of the first page.
Title of the story should be centered horizontally and roughly a third of the way down the first page. The following line is your author byline (i.e. the name you publish under) also centered.
At least one blank line between the byline and the first line of the piece.
(Last Name) / (Title) / (Page Number) in the top right-hand header of every page following the first.
Your submission should be finished. This means polished. Relatively free of typos and grammatical errors. Though Exploitation Media will not reject an otherwise good story over a few small typos or missing commas, many other publishers, especially the ones paying a professional rate, will. We understand errors occur, however, if an editor comes across five mistakes in the first couple of paragraphs, they may lose faith that the story is competently written and quit before they have a chance to experience your work.
Your submission should be your own. No AI or plagiarism.
Always read the submission guidelines for any publication you want to be a part of. Follow those guidelines. Web, audio, and other formats have other systems. Sometimes they want you to lose the contact info or the header. Perhaps they want you to start your paragraphs with tabs. Again, whatever it is, do that. Make a copy of the piece and format it as they wish. This signals you understand how to work collaboratively.
Most editors perfer Word documents (.docx). Exploitation Media is willing to work with a google doc, though it is not ideal. Never send a PDF as a submission to a publisher.
Again, we would like to stress that though we won’t necessarily reject your work on the grounds of one of these guidelines alone (plagiarism/AI stories being the exception), you would be doing yourself and every publisher you submit to a favor by familiarizing yourself enough with them for your work to at least be acceptable at a glance.
So, you understand the basics, now you want to know what kind of stuff you can send us. Exploitation Media currently aims to publish horror of every variety. Everything from slow-burn quiet horror to extreme horror and all the weird side roads in between. However, we have standards. Just because we like some messed up shit in our stories every now and then, doesn’t mean we have the desire to publish anything and everything.
Stories are allowed to broach challenging and taboo topics. We might even say we encourage it. However, there is a fine line between depicting something terrible in order to work through the profundity or absurdity of the human experience, and using your work to endorse monstrous things. If we catch a whiff of your story drifting from depiction/exploration into the endorsement of any of the following ideas, we will drop the story. Period.
Sexual assault of any kind, especially minors.
Bigoted stuff of any kind. If you don’t know what that means, don’t submit your work.
Encouragement of real-life violence, including harm to others and self. Obviously, horror stories depict violence of all sorts. We’re not saying you must shy away from it, but if we finish your story and think, this story really wants me to hurt someone for real, we’re not printing it.
That’s about it really. We don’t think it’s much to ask.
Now onto the actual submissions.
What causes the desire to devour one of your own kind? To be consumed? Is it simple animal nature unleashed, intimacy gone off the rails, or perhaps something even darker?
In Tales from the Menu, we are looking for your short stories to answer those questions. The theme is cannibalism and we welcome all horror and horror adjacent work that address the topic. The more unique the better. It just has to address cannibalism.
cannibalism, noun
the usually ritualistic eating of human flesh by a human being
the eating of the flesh of an animal by another animal of the same kind
an act of cannibalizing something
See the General Guidelines and Content Guidelines above.
3k - 5k word limit.
Word documents (.docx) preferred, NO PDFs.
Standard Shunn formatting 12pt Times New Roman, Double Spaced, etc.
Deadline is July 31st, 2026, or until this form comes down.
No reprints.
No multiple submissions. One story per author.
Simultaneous submissions are fine. Let us know if another publisher accepts your story. Don’t let us fall in love with your work, only to find out it was published last month.
Expected release date: Early Holiday Season 2026
Payment: $3 for accepted stories, and a free author copy.
Additional author copies available at cost + shipping. (Multiple options for print facilities.)
Acceptance into this book comes with the glorious bragging rights of being published in Exploitation Media's first ever anthology.